by Carlo Odello

Have you ever tried to drop a line to the customer service of the big multinational coffee companies? We have and we have posed them the sort of question that any careful consumer asks himself: how do you check the quality of your product? We found the address of the customer service or, if they did not have one, the name of the most appropriate person on their corporate websites. We wrote to the companies using a private email address and signed the request. We asked them all the same question: which method do you use for measuring the quality of your product?

This is an unnecessary question when it is down to quality in other sectors. It is already a few years since the car manufacturing industry, just to give an example, has started publishing the results of its safety tests and devotes special focus to them when promoting its product. Coffee is a different story: some companies show the plantations in their ads on television and some others take you in paradise. The overall impression is that not all of them are ready to openly deal with the issue of quality. This is, as we shall see, confirmed by our brief, albeit, accurate analysis.

We had three different categories of replies. Four companies – Nespresso, Illy, Diedrich and MacDonald’s – explained to us in sufficient detail how they measure the quality of the finished product. Vague replies category: Starbucks suggested we should visit their corporate website (which was not that useful), Nestlé replied they would have come back to us. Lavazza told us that quality tests take place everyday and that these tests are certified. The other four companies – Tchibo, Sara Lee, Dotour and Segafredo – have not even replied. We have not been able to contact Costa Coffee because there was no useful contact indication for the common consumer on their website.

Here goes what McDonald’s, Diedrich, Illy and Nespresso said. The Italy customer service for McDonald’s ensured that they use “only products and ingredients that match the highest quality standards and that have been officially approved by competent authorities”. They informed us that “the choice is made on organoleptic evaluations – defined by a panel of tasters – representing the average consumer – who has positively rated the current supplier”. Diedrich gave a more detailed reply saying that the coffee samples are tested before purchase and delivery and that they are also subject to a visual evaluation aimed at spotting any defects of the green coffee. Each roasting process is cupped before it goes to packaging. Also Illy provides great details, informing us that they select the coffee batches and then they make an electronic control on the colour of the beans so that they can discard the flawed ones. They also add that, during the production process, 114 checks are made. From Nespresso, we received a reply by their technical & quality manager Alexandre Bolay (perhaps they smelled the rat?). He said that all throughout the production line there are quality inspections and tasting sessions. The daily production is benchmarked against a reference production: blind testing is done and if the correspondence between the sample and the reference product is lower than 60%, corrective measures are applied to the recipe.

These were their replies. Said this, our test was mainly on the external relations of these companies. The interesting thing to note is that from at least two thirds of the companies we had no useful reply. Actually, Tchibo, Sara Lee, Dotour and Segafredo have not replied at all. We thought this was a bit odd given that quality is the battle field of a wealth of marketing and communication initiatives. In particular, Starbucks vague reply comes as a surprise: they said that, due to the volume of queries they receive, they cannot give interviews or reply to requests for data or provide information on the company other than what is already in the public domain. This comes in a moment when Howard Schultz, Starbucks CEO, is fighting against what he defines as a weakening of the Starbucks experience.

In general, talking about the absent companies, and they did this deliberately, we get the impression that their marketing is still based on the assumption that the consumer is passive. They do marketing strongly focusing on promotion rather than information. The point is that now the consumer, when choosing the product, relies on means like other people’s opinion and the Internet which are not that sensitive to the sort of imposition-based marketing style.

Photovoltaic Espresso for Caffè Pascucci
Caffè Pascucci has recently presented a coffee bar kiosk running exclusively on photovoltaic panels. The coffee machine, the coffee grinder and the dishwasher actually use electricity produced by the panels fitted on the roof of the kiosk. “The idea comes from the hundreds of coffee bars on the beach in Rimini – using the words of Mario Pascucci, owner of the name-sake roasting company – Together with Marco Cuccioli, electro-mechanic entrepreneur, we developed a solution which, with an investment of a few thousands of euros, guarantees a remarkable energy saving and is environmentally friendly”. Caffè Pascucci is based in Marche region (Italy) and apart from supplying the HoReCa channel, has a chain of more than 100 coffee bars with its own brand all around the world – of which 42 in South Chorea. The next shop will be opened in the Red Square in Moscow.

Italy: 6 billion doses at vending machines
Consumption from vending machines in Italy is around 6 billion doses. With 1,731,000 machines in Italy, the sector has a turnover above €2 billions and has 30,000 employees. The number of machines at the workplace and in public places has more than doubled in 5 yeas, increasing from, roughly, 700.000 machines in 2000 to more than 1,700,000 in 2005. This increase is mainly due to the fact that, over the last few years, there has been a genuine boom of the number of public vending machines for offices. Italians are passionate for coffee. Coffee vending machines are almost 70% of the market of vending machines, with approximately 4 billion consumptions, of which 2 billions of coffee in beans and more than 1 billion of single-dose coffee.

Twice as much sustainable coffee for Sara Lee
Sara Lee, third buyer of coffee in the world and owner of the brands Douwe Egberts, Merrild, Maison du Café and Marcilla, has announced that it is buying twice as much of sustainable coffee. This will lead Sara Lee to processing 20,000 tons of it in 2008 (in 2004: 2,500 tons). “As a global coffee roaster, Sara Lee can emphasise sustainability as an environmentally and local community friendly coffee producing method – using the words of Frank van Oers, CEO of the coffee and tee division – The volume of purchase of sustainable coffee will grow in parallel with the growth of the market of the finished product”. The company is a partner to UTZ Certified Foundation.

Coming soon is Plus 4 You by CMA: -30% of energy consumption
CMA presented Plus 4 You, an espresso machine which makes it possible to save 30% of energy compared with a traditional machine. This is important for both the environment and the barista. Calculations show that the average annual energy consumption of a machine is around € 1,200. In order to obtain these results, the hydraulic system has been upgraded. The new electronic version makes it possible to have a distribution of power based on the actual needs. The self-command of the machine helps the barista analyse the functioning of each group and plan energy saving. The monitoring of the quality in the cup is remarkable: the machine measures each cup against the optimum parameters for the used blend. In the event of problems, the system points out to the barista the possible causes and suggests potential solutions.

The new Caffè River calendar: Arezzo calls New York
The new 2008 calendar by Caffè River from Arezzo is ready. The pictures of this edition have been taken by Giovanni Santi, who gives an insight in New York showing its defining locations: Times Square, Lower Manhattan, East Village, Hudson River, Empire State Building and Ground Zero. A compact disorder of floors and windows with varying perspectives, light-and-shadow effects, uncommon pictures with sights and fragments of a city with thousands of facets.